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1 c l a s s MultiValued { 2 i n t n = 0; 3 boolean A[] = n u l l ; 4 p u b l i c M u l t i V a l u e d ( i n t InaxVal, i n t i n i t V a l ) { 5 n = InaxVal; 6 A = new b o o l e a n [ n ] ; 7 f o r ( i n t i = 0 ; i < n ; i + + ) A[ i ] = f a l s e ; 8 A[ i n i t V a l ] = t r u e ; 9 10 public int getvalue () { 11 i n t j = 0; 12 w h i l e ( ! A[ j j t i ; // f o r w a r d s c a n 13 int v = j ; 14 for ( i n t i = j - 1; i >= 0; i--) // b a c k w a r d s c a n 15 if ( A [ i ] ) v = i ; return v; 16 17 } 18 public void s e t V a l u e ( i n t x ) { 19 A[x] = true; f o r ( i n t i = x - 1: i >= 0; i--) 20 21 A[ i ] = f a l s e : 22 1 23 1

2. To set the open/close preferences for the current database, click the Open/ Close tab at the top of the File Options dialog (if it is not currently displayed). 3. Select the Switch to layout check box in the dialog s When Opening This File section and then choose Data Entry from the pop-up menu/drop-down list. 4. Click OK. The dialog closes, and the changes are recorded. By choosing Data Entry from the Switch to layout pop-up menu/drop-down list, you ensure that the database will automatically open to the Data Entry layout, regardless of the layout you were using when you last closed the database.

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The activation of FH in GSM improves link performance due to two main effects, frequency diversity and interference diversity 5141 Frequency Diversity Frequency hopping increases the fading decorrelation among the bursts that compose each frame This is due to the different fast-fading pro les of different frequencies As the decorrelation increases, the ef ciency of the channel coding will increase Figure 59 shows the gain from sequential and random hopping under test conditions [10] The TU channel pro le with 3 and 50 km/h has been used The maximum hopping frequency diversity gain of 7 dB for slow moving mobiles is achieved with sequential hopping and eight frequencies (equal to the interleaving depth) This is also found in [4] The gain of random hopping for TU3 would slowly continue increasing with larger number of frequencies getting closer to the maximum value of 7 dB.

After you enter a formula, the cell displays the calculated result of the formula. The formula itself appears in the Formula bar when you select the cell, however. Following are a few examples of formulas:

hen you work with imported graphics, whether they are illustrations or scanned photographs, color is part of the graphic file. So the responsibility for color controls lies primarily with the creator of the graphic. It is best to use color files in CMYK EPS or DCS format (for illustrations and vector art) or CMYK TIFF format (for scans and bitmaps). These standards are de facto for color publishing, so InDesign is particularly adept at working with them. (See 25 for details on preparing graphics files for import.) Although printing uses CMYK, computers use RGB as the color model, since monitors use red, green, and blue electron guns to display images. The dilemma most designers face is that an RGB image displays properly on-screen but may appear with slightly adjusted hues in print, whereas a CMYK image may print correctly but appear incorrectly on-screen. Most designers get good at mentally shifting the colors from one model to another as they see the results of their work in print over time. Until that happens, rely on color proofs from your printer to see what your images actually look like when printed. Do note that color files pasted via the Clipboard should print properly after they re pasted into an InDesign graphics frame. But problems, such as dropped colors or altered colors, sometimes occur depending on the applications involved and the amount of memory available. If you click and drag files from Photoshop or Illustrator directly into InDesign rather than using copy and paste, you should have no such problems.

FIGURE 11.15 The Transform Each dialog box allows you to apply transformations to several objects at the same time.

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